If you’re not au courant with Joel Taylor, you’re about to find out why he’s 2019’s one to watch.
The Australia-born singer-songwriter is exactly what the music industry’s been missing: authenticity in its purest form. Taylor’s unfeigned vocals attribute to his jagged memoir of relocating to Los Angeles away from familial roots at the age of 18 with absolutely no savings.
Building an impressive network of industry peers such as Courteney Cox, James Marsden, Laura Dern, and Lisa Kudrow, Taylor’s narrative is alluring and filled with endless plot twists. The pairing of his relentless ambition and charming nature leave no room to question why some of Hollywood’s bigwigs have gravitated in his direction. And, of course, his gift of translucent storytelling adds something special to his music.
The multi-genre artist carved a new lane for infusing soul, blues, and jazz together to create an effortless sound that intoxicates you seconds after pressing play. His music is both richly textured and aesthetically perfect.
Taylor is ready for his next chapter of new music, brand expansion and a new sonic destination for his fans.
What specific moment in your life sparked your interest in pursuing a music career?
Both my parents are musically inclined. My mum plays piano and my dad was a cabaret lounge Jazz singer. My mum’s dad was a well-established piano player. He played for The Everly Brothers, The Beach Boys, and Roy Orbison in the ’50s and ’60s. He also had a big, well known rock and roll band in Australia, Col Joye & the Joy Boys, so I kind of always grew up around music. I loved music so much, but you know, it wasn’t something that I was serious about at all.
I actually wanted to be a professional tennis player. So I would train and tour around playing tournaments. At some point, though, music just became this big thing that I sunk myself into. I became obsessed with Billy Joel, Elton John, the Beatles, and Ray Charles. I just couldn’t turn back; I quit tennis cold turkey, pursued music and moved straight to America. Like right away – the week after I finished high school, I moved to LA.
Wow, that’s crazy. Was it hard to quit tennis like that?
Yeah, it definitely was. It was one of those things where I just made a decision and never looked back. I was playing hours a day. I was on track to quit school, start training all day everyday, get homeschooled, and do all the things necessary to play professional tennis. But I never really wanted to do those things anyways. I wanted somewhat of a normal life and I spent way too much time playing piano and music. It was hard but once I made that decision, it was just cold turkey so it was easier to just jump into music like that.
What was the transition like from Australia to Los Angeles?
It was a little strange at first cause all I ever really did was go to school and hang out with my friends and family. Then all of a sudden, I was living in the middle of LA and didn’t know anyone. It is a kind of crazy story because I got offered a cash scholarship in Australia to come to LA to study music. That was my driving force behind everything and then they never paid me. It was kind of a bit of a fiasco; I had been offered $10,000 and I was just waiting here for all these money while in reality, the organization had no money when they had given me the scholarship. They just kept pretending they were going to pay me. So, I wound up in LA with no money. I was going to college and I had absolutely no money.
It was a funny transition, now that I think about it, because I lived on different couches for about six months. I was hoping to get that huge check because I spent all my savings to move here. The first two years were pretty rough. But after I graduated college, I started touring with different groups straight away and really, I was working all the time –as a session musician, touring and playing gigs nonstop. So it all worked out. It was hard but once I got busy with music, it turned out pretty great.
Any crazy stories with couch hopping?
Well, my school was 24 hours which was great. I could go to campus whenever I wanted. When I was couch hopping, I didn’t want to get in the way of my friends’ lives when I stayed with them so I would just go to school, play and record music for ten hours every night. While they were out partying or whatever, I was up all night practicing. It was a little crazy at the time but it’s all good. It all worked out. I guess I can say that I’ve got good stories; I’ve lived a little bit.
“Two Sides” was the first single of yours that really introduced you to the world. Let’s discuss the creative direction and the overall conceptualization of the ballad that really showcased who you are.
So, I played every instrument on the track – the bass, guitar, organ, piano, did all the background vocals. I loved those Van Morrison records where it’s soulful but also folky and a little pop infused. I love to tow the line a little bit between being organic and soulful. “Two Sides” has an older vibe, and thought it’s a bit piano driven since I am a piano player, I tried to incorporate a modern sound as well. It’s a soulful, bluesy song and when I recorded it, I was really happy with it. It’s a good introduction to my sound and who I am.
What about your latest single: “Moment’s Notice”?
The main thing I wanted was for it to sound like a gospel hymn. It’s about rebirth and some pretty emotional stuff. But the sound itself…I really wanted it to sound anthemic and uplifting but I kind of wanted it to feel like a little bit ominous which is what those old gospel records do. There is some magical surrounding feeling, and I’m not particularly religious or anything; I didn’t come from that point of view, but “Moment’s Notice” definitely came from like a spiritual realization.
I wrote the song at 3 a.m. one morning in about 20 minutes. I started layering all my vocals – about 50 tracks mimicking a choir – and it just came together. I did end up taking it to a modern place than all of those old gospel records do with the production but it encompassed the sound I wanted.
There’s an undeniable mix of soul, jazz, and gospel in your songs, especially in “Moment’s Notice.” Break down the musical imprint these genres have when impacting your production. Who are your influences and drives when you delve into making music?
Definitely Billy Joel is one of them. The first song I ever learned to sing and play was “New York State of Mind”. Elton John and Ray Charles – I loved their music – are huge influences. John Mayer and more specifically, his songwriting. He’s great. Aretha Franklin, actually, like her old gospel records especially from the 60s. They are incredible sounding and with “Moment’s Notice,” I wanted the vibe to come from those Franklin albums, The Blind Boys and James Taylor that just radiated the Southern gospel sound. And of course, John Denver, who was actually a friend of my grandfather’s, I loved his sound. It’s a pretty weird little mix but there are so many influences and sounds that inspire me.
Often times, artists use music as an escape from reality but you’ve chosen to embrace transparency. Why is it important for you to be honest and vulnerable in your music?
I do a bit of both too, because I love the escape from reality but I also love the new things we can find out from other people’s stories. And there’s some great exploration that comes with that and it can even allow you to explore real things that might have not happened to you directly. Real stories, real intentions, real motivations.
I’ve also always felt strongly about telling the truth in songs. There’s something to me that feels mission somehow when there is no real substance to look into that is relatable – not just because you understand the topic but because you can feel that someone has gone through that. It’s the empathy that comes with that. I think that’s important to convey through my songs – real truth that’s had a real effect on me. There’s something therapeutic about it for me to do it that way actually.
For sure, authenticity and empathy is super important especially in our social and cultural climate today.
And people resonate with that more; they always know when it’s coming from a real place as opposed to not at all. Somehow they can feel the authenticity compared to a song that’s sort of empty with no substance. That’s pretty cool that they always know. That just shows how important it is.
So, what can we expect from you as 2018 closes?
So much! The music video for “Moment’s Notice” is coming out. That’s a really interesting, honest and raw video that explores domestic violence. It’s not a departure from the story of the song but a stripped back, emotional story. I’m really excited for people to see it. It was directed by Phillip Montgomery, and it’s just – it’s really great. That’s going to come out in the next two or three weeks; definitely before the end of the year so I’m excited about that. I’ll also be playing a couple of shows to fundraise for the Malibu fires; give a little something back to the community but also celebrate love while playing some music with amazing people.
And yeah, I’ve just been writing a lot. Closing the year out with some productivity as I have an EP coming at the beginning of next year and then three months after, my debut album.
That’s so exciting. Congratulations! Any new year’s resolutions?
Thank you! For this upcoming year, I just want to get to a good place with my music and digging into everything I’m doing. Next year will be filled with shows and touring, and I’m just really excited to get everything started. The next few months are going to be great. I can’t wait.
You can listen to Joel Taylor’s new single “Moment’s Notice” here.
Cori Maass: The Human Experience through the Eye of a Minimalist
How often do we pay attention to the human experience? An aspect of life so utterly important yet overlooked time and time again. But there are a rare few who get the picture, much like American artist, Cori Maass.
The LA-based illustrator uses her canvas to explore and depict the emotions and interconnectivity of people. Noting she’s deeply inspired by “lessons the Earth holds that mirror our internal experiences,” her minimalist style portrays the messages through intricate lines, shapes, and text.
Maass believes art is destined to intersect with life, which she conveys through murals, printed works, brand collaborations, fashion, and tattoos.
Does anyone of the work here engage with any particular social issues?
I like to focus on social issues first as human issues, both interpersonal and intrapersonal. I think sometimes it is easier to talk about issues from the standpoint of universal human experiences (like empathy, or shame, or sadness) rather than using the language of “politics”, where words can sometimes lose their meaning. Not that political conversation isn’t important, it is easier for me, however, to convey my feelings from a different place. I wrote a poem [attached] after the Cavanaugh trials brought up conversations surrounding the abuse that many women have experienced. My goal was to cut out the chatter and try to communicate from a place of power and identity for women.
Do you think art has the power to affect any kind of social change?
Definitely. Art is a reflection of what is going on at the time but also creates a narrative that affects society. Art shapes the social conversation whether that be through music, design, or any other medium.
With social media, artists are able to spread social change and images that give us something to visualize a better future rather than just talking about it.
Which themes and subjects do you like to illustrate and explore?
I am very interested in exploring the human experience. The human experience includes complex emotions, duality, moral dilemmas, and relationships. I like to explore visual (or written) metaphors to provide meaning for what I am experiencing.
Are you driven by creative interests or commercial interests?
My biggest interest is how art intersects and affects life. I like my art to be purposeful and engaging with people so that can lend itself to commercial interests because it allows people to be part of the story. However, I became an artist full time because I was frustrated by just creating things for the purpose of selling.
At the end of the day, I am fulfilled when I create from a pure place of honesty and it connects with someone else.
Do you find that this notion of place has a very strong impact on your work?
I think place definitely strongly impacts me personally. That will naturally translate to my work! I have to go to new places or different places to be able to stay centered within myself and continue to expand my perspective. Places are mostly made special to me by the people in them and the different parts of myself that come out when I am in those settings. Each place I have lived or traveled has taught me both about other people and about myself. I think of places as mirrors that show you pieces who you are.
Quite a lot of your work originates from human experience and the emotions and connections, please expand.
The best art advice I was ever given was in a photo class, where the instructor was talking about developing your photographic eye. He explained that good photos originate with seeing. This idea is something that I use for art and life as a whole now. I begin with seeing. Taking an honest look inside myself and taking the role of an observer in the world around me. I look for nuances and details and how they connect to form a bigger picture. Life as a human is messy and complex, much like nature.
Art is a way for me to process and wade through it all and reflect on the fact that it is ultimately beautiful.
Where do you create most of your pieces?
I work in coffee shops a lot!! The base of many of my pieces is digital or on paper so I can take my art and work wherever I go. These pieces then get translated into murals, apparel, prints, tattoos, and anything really. I am very interested in how art intersects life and adds to the fabric of our stories.
You talk about the “aesthetics of minimalism”. What does this mean and why is it important to you?
Minimalism is knowing how much is too much or too little; it’s a fine balance. I think it is important to me because I think it gives me the ability to say a lot simply while leaving space for someone else’s interpretation. This allows me to be honest and give people the opportunity to connect within their own life’s story.
In the minimalist space, I think it is important to apply new ideas to visual themes that may have been done, and in that, to add your personal perspective.
For example, artists have drawn faces minimally for years, but I ask myself to create from a perspective that is unique or (at least) honest.
Tell me about your current series.
Currently, I am exploring moral and emotional concepts through shapes and abstract lines. I hope to compile them into a book by the end of the year! The concepts I have been exploring so far are grief (the concept of death vs. rebirth, and acceptance of death), compartmentalization of emotions/actions, shame, and self-preservation. (I promise I am fun at parties hahaha).
What is one of the most challenging works you have made recently?
Lately, just in general, it has been a struggle to present myself honestly without feeling too seen. It is a hard balance of being vulnerable through art but allowing myself time to process when I know others are seeing my work. I always appreciate it though because I am creating through the confusion, I just sometimes get overwhelmed when I know I am being honest but it feels scary.
Progressive loungewear line ‘DAYO’ designed with sustainability and sex appeal
Yolanda White is releasing a sexy, fun loungewear line just in time for the holidays.
White has teamed up with NY-based designer, Jenni, to create the modest, 6-piece collection, entitled DAYO. Veteran singer Chilli serves as the face of the line, which represents self-love and confidence translated through sultry champagne and red, silk fabrics.
NDLYSS spoke with the DAYO visionaries recently to discuss the brand’s creative direction, the importance of working with environmentally conscious fibers, and expansion for the new year.
What did you think was missing in the market that you wanted to add with the DAYO clothing line?
Yolanda: What I see today in terms of loungewear and sleepwear is basically [all] the same. The reality is [that] there’s no innovation that happening in the segment. What women are looking for today is something that’s more comfortable that allows them to serve the many hats that they [wear] at home in the evening.
We started envisioning an opportunity to create more functional loungewear with built-in breast support [with] more coverage around their butts, hips, and stomach. All the stuff that we don’t want to show is basically the answer that DAYO is providing in the marketplace today.
What’s the idea behind DAYO and where did the name come from?
Yolanda: The name DAYO means “happiness has arrived.” It’s [about] way more than fashion and offers the opportunity to get women to a place where we love ourselves with all that we have going on.
How would you describe the design aesthetic and the consumer that the line speaks to?
Jenni: We try to stay simple and luxurious with sophisticated fabrics imported from Japan. We also try to build structure inside by designing breast and hip support even though [the line] is very flowy and comfortable.
Yolanda: [Jenny] did a fabulous job putting the product development work at the forefront so we could add in the functionality and still keep it simple. It’s hidden so you can’t see all of that detail but it provides women with a lot more.
Sustainability is an important topic right now, how do you feel your brand measures up to this eco-friendly trend?
Yolanda: Sustainability is a way we have to live so as a business leader it is always at the forefront. A lot of what you see in DAYO is made with 100 percent natural fibers. In terms of packaging and the way we put the brand together is very simple. Everything is recyclable to our consumers. We’re being very conscious about delivering an experience and still being purposeful about how we want to live.
Why did you choose primarily neutral colors and reds for the collection?
Yolanda: We want women to be able to pick up the items and wear them every day. It’s something you can wear 7 days a week, ensuring that it’s something they will not get tired of. It’s easy to throw on and have as a core staple in their wardrobe. Red is the cover of love, and, of course, we want to have that for the holidays.
What prompted you to select Chilli as the face of DAYO?
Yolanda: I had the opportunity to work with Chilli for another campaign. By far, she is a woman that has achieved it all and part of it is that she stands for something that is rooted in what the brand represents. When I think of the epitome of the brand it’s someone who is beautiful and committed to themselves. She was the first person that came to mind for me.
How was the experience wearing the clothes for the first time?
Chilli: The fabric is so soft. It has this sheen to it and when you actually touch it, it’s even softer than it looks. If you fall asleep and the next day you need to wake up and run out you can do that. I like the versatility in the line.
Are the majority of the pieces transitional?
Yolanda: I think they are but I’m trying to make sure that I market them as loungewear, first and foremost. And allow consumers the flexibility to tell their own story about how they want to use [the pieces].
What are your future plans for brand expansion?
Yolanda: We are launching DAYO Essentials in March, which will be our mainstream line that will be listed at a more affordable price point. We also have additional holiday surprises that you’ll see within the signature line.
To purchase items from the DAYO collection, click here.
Megan Davies breaks glass ceiling with poignant, vulnerable, pop records on ‘Bad Poetry’ EP
Introduced to the world via YouTube in the summer of 2013, Megan Davies has garnered a massive fanbase–accumulating nearly 200 million views and 1.3 million subscribers. The Nashville-based singer, widely recognized for her intoxicating alt-pop voice, has since then released an impressive discography of acoustic covers leading up to her forthcoming debut EP “Bad Poetry.”
Touching on introspective topics such as bullying, alienation, digital addiction, the polished guitar player’s musical abilities fluidly transcend through her conscious songwriting. NDLYSS spoke with Davies recently to discuss her upcoming tour, the power online promotion, and new projects for the upcoming year.
What specific moment in your life sparked your interest in pursuing a music career?
I don’t think there was one specific moment; I kind of always just did it. I always liked doing it. I spent all my sweet time growing up and eventually when it came time to choose what I wanted to do for the rest of my life, it made sense to choose music. I started playing guitar when I was 12, and that was my first instrument I was properly introduced to. I played a little piano and violin but I was terrible at it cause I didn’t practice at all. I didn’t start singing until high school – age 15, 16 – but, you know, when you’re playing guitar, you’re always singing along a little bit. For the most part when I was little, I was really shy. If people asked me to sing, I would say no. So, it definitely took a while to gain up the confidence.
YouTube was a huge part of your life. Why do you think social media is so important in this day and age to propel success?
Yeah! It’s super powerful the amount of people you can reach. You know, I’m based in Nashville, Tennessee but if you look at where people are listening to my music, it’s from all around the world. It’s amazing. And that’s the power of the internet and social media. It’s really important to find your audience and be able to communicate directly with them.
For sure. Your new single, “Gimme” centers around social media addiction. What are the dangers while you’re using it to create a name for yourself?
I think we all know there can be this dark side to social media where you’re constantly looking at this curated version of people’s lives. And you’re even curating your own life! In a sense, we’re communicating with people but there’s also a fake sort of aspect of it. We’re not connecting in a real way. It can cause a lot of isolation or low self esteem. There’s a lot of negative things – sometimes could outweigh the positive – that can come out of using social media.
Your other single, “Doesn’t Matter” is also definitely another powerfully driven song. In a time where bullying and cyberbullying sits at the forefront of our social and political climate, what does this song mean to you? And what do you think it will mean to the listeners?
Right! “Doesn’t Matter” was actually specifically written about my own experiences growing up. I felt isolated and disconnected from everything, really. You know, there was a bit of social media in high school but nothing like I’m sure kids today experience. I can only imagine the anxiety and stress they feel in high school and then on top of that, social media. That’s got to be pretty intense. There are similarities, though; the emotion is still there and I think more than ever, it makes more sense today. The story still applies to people who are in high school today or even any age. You can place so much weight on little things that you experience at a certain time. And then, as you grow and get older, you recognize those things don’t really matter or as terrible as you thought they were at one point. That’s kind of what I’ve realized as I’ve gotten older.
What is your songwriting process like?
That’s a good question. For me, it always starts on the guitar. Both of these singles are pretty built up but when I’m writing, I always have my guitar in my hand. I imagine playing them with just my guitar. And musically, things come to me pretty quickly and then it’s about putting the right story and the right emotion on top of that. So, a lot of the times, I come up with like a chord progression or a guitar part or some little melody. Then, that melody will sound sad to me or it’ll remind me of something I saw or something I felt. It goes from there. I find when I try really hard to craft it or tell the story exactly how I want to, it never ends up that way. I’ve found subconsciously it always goes in the way it wants to go.
Where do you pull inspiration from? Is there anyone who sort of helped craft your sound to what it is today?
Oh yeah, there’s a lot! It’s funny because I look back on all the phases I went through musically and I listened to a lot of punk music in high school. I really wanted to be Hayley Williams from Paramore at one point. I look back on it now and laugh because there’s no way I’d have a voice exactly like Hayley Williams. It was a thread, though, and there’s all these little threads that become who I am today. I really love this band called Metric from Canada and Radiohead; they’re both still a huge inspiration. I also went through a big phase of playing a lot of fingerstyle instrumental music…that was interest. So, there’s definitely been many phases over the years but they’ve all culminated in what I do today like I do a lot of fingerstyle folk playing with my acoustic guitar so it all carries through to the present.
What has been your favorite part of your musical journey?
My favorite part of what I do is touring so I guess that’s been my favorite part of everything so far. I didn’t travel a lot growing up and even my first time driving out West, I was blown away just by the landscape and scenery change. It literally took my breath away. I felt like I was on a different planet! But being able to go out there and then play my music and talk to people who listen to my music and hear about their lives and what they do; it’s kind of a magical thing. There’s a collection of little moments within that but touring, for me, is really special.
Speaking of touring, are there any fun rituals you do when you’re performing?
Post show, I always have a glass of wine. I never drink before I play because I find that I lose all my musical abilities and it’s not good for anybody. I’m not that kind of person where I can have a drink on stage or something but it’s one of my favorite things to do now. I come off the stage, sit for like ten minutes and have a glass of wine just by myself.
Wine is definitely the best way to wind down!
Yeah, it’s my go to. The combination of the wine and the adrenaline going down…it’s one of my favorite moments. And then I go out and talk to people and typically hang out at the venue. I meet people and have conversations and yeah. That’s usually my routine.
If you could tell anything to your younger self anything now, what would you tell her?
I would tell myself to slow down honestly. I think when my YouTube channel started getting bigger numbers and it was growing, I was so afraid if I stopped working at any point that it would just collapse. It would be over and I would be spending the rest of my life wondering why I didn’t capitalize on something that was going so well for me. I had that fear so I worked and I worked and I worked. Eventually, I just burned out. I would work insane hours to the point where I couldn’t anymore. I would just be so tired. It wasn’t the healthiest way to cope with what I do, obviously. And that’s something I’m still trying to figure out – that balance. Taking moments to breathe and experience life around me and live…it’s so important.
What can we expect from you as 2018 closes and we enter 2019?
In 2019, I’ll be going on tour so I have a bunch of dates on my calendar. I’ll be going back to Europe and playing in a bunch of countries I’ve never been to. And mostly just, releasing music. The nice thing about being independent is I can put things out as I make them and you know, it shows a journey of growth musically and people keep following along with me. That’s the plan for right now!
Congratulations! Sounds exciting.
Thank you!! I’m really excited about it. It’s going to be a good year!
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