There’s a new sheriff in town! Oh, and by the way, her name is Dianna Lopez. And did we mention she can sing her as* off! In a world saturated with hip-hop and r&b, the New York native is in an alternative lane of her own. If Sade had a baby, Lopez would hands down fit the bill. Her sultry sound is nostalgic, yet contemporary –– not to mention hypnotizing. NDLYSS spoke with with her recently in a one-on-one interview to find out the scoop on the new face of indie rock.
Dive in below.
Much of your music video collection utilizes strong storytelling technique, where do you draw your creative inspiration from and how hands-on are you with directing?
It all depends on the video, but most of the time I’m doing my visuals with friends or people who I know, it’s a collaboration. I usually come up with a concept or vision board of what I see… I’m pretty hands on. I like to keep things super simple. Honestly, some of the visuals were actually shot in my house.
What artists were you listening to in your younger years?
I definitely listen to Sade, my parents were always playing her growing up. Honestly, when you think about it Beyonce and Rihanna were like the only black girls that were pretty big when I was growing up. They were the people who I was listening to in middle school and high school. They were the only ones being represented in the media. I also listened to a lot of Donna Summer, and a lot of old school music. I was only exposed to r&b and hip-hop when I was younger but as I get older I’ve found more interest in alternative music.
Do you have a theatrical background? I’ve noticed a recurring theme in your dance moves.
I grew up doing ballet and some interpretive dance at the Dance Theatre of Harlem. I’ve always loved to sing, act, and dance but I wasn’t sure which one I would pick growing up so I just picked all three. The one I really stuck to was singing.
Black Musicians are often boxed in by r&b and rap expectations, how difficult was it to find support on an alternative road less traveled?
It was really difficult when I first started. If you listen to my earlier music on Soundcloud you’ll hear the difference of people influencing me to do certain beats that are geared towards more of an r&b sound but it’s never really what I wanted to do. Once I started speaking out about what I was more interested in doing people would tell me it’s boring or that no one is going to want to listen to it. I just had to block out those negative people because if you love something you just have to do it regardless of people’s opinions.
Referencing your track “Tell me why – Brown Skin Song,” which you wrote as an open letter to women of color, have you ever faced colorism or shadeism in the music industry?
I’m going to steer away from the music industry because I wrote that song in the beginning stages of my career. My friend Dave Langston co-wrote the song. I decided to go with that song because I grew up in a town called Rockland County. Most of the schools that I attended were predominately white so a lot of my friends were white. I was always the one black girl… I dealt with a lot of racism although they didn’t realize they were doing it. I didn’t want to go out in the sun because I didn’t want to get too dark. I grew out of it and began to love myself. I want people to know black is beautiful.
“Predictable” is your first release of 2019 as a follow up to your 2018 EP, Foreign Space. What was the overall concept?
It just so happened that some guy I used to talk to who comes in and out of my life as he pleases hit me up out of the blue. I’m at the point in my life where I’m not mad about him coming in and out, I’m just like you’re predictable. You can come but I’m not going to pay you much mind. He comes around every few months. It’s a pattern! I just wrote a song about it.
What’s in-store for your upcoming indie rock EP?
My fans can expect me to be more into my sound than I’ve ever been. There will be five songs on there with no features, it’s just me.
La Doña releases debut EP ‘Algo Nuevo’
Latina artist La Doña has officially released her debut Algo Nuevo EP via Human Re-Sources. Produced heavily by Doña herself, the EP includes previously-released singles “Quién Me La Paga” (“Whose Going To Pay For It?” in English), an infectious cumbia-led track that denounces life’s ever-increasing expenses, and the self-coined “femmeton” anthem “Le Lo Lai,” which reverts the machismo paradigm so prevalent in reggaeton and hip-hop.
Speaking on the EP, La Doña says: “Algo nuevo is a gift of something new; it is a statement about the versatility of musical forms and diasporic rhythms; it is a marriage of the traditional with the contemporary; it is an offering and a statement to la raza, the boss girls, las malas, the non-binary and queer homies, ‘I see you, I am you, and I made this for you.'”
The EP is a fruitful and masterful collage of La Doña’s world. The artist composes songs influenced heavily by Bay Area hyphy styles, lowrider culture, Mission muralismo, and musica de la (U.S./Mexico) frontera, while exploring radical brown femininity alongside love and pain.
Algo Nuevo also arrives alongside La Doña’s release show at The Chapel in San Francisco tonight where she’ll be joined by Sazon Libre, Chulita Vinyl Club, and Mariachi Juvenil La Misión.
After touring North America in support of Cuco, opening for legendary Mexican rock group Café Tacvba, and being named one of YouTube Music’s Foundry artists with past alumni including Rosalía, Dua Lipa, Chloe X Halle, and Gunna, La Doña is entering 2020 in full force.
Listen to the Algo Nuevo EP, here
Roddy Ricch’s Video Release for ‘The Box’ made the #1 Song in the Country even Hotter
Roddy Ricch has officially dropped the highly anticipated music video for “The Box” on Friday.
The Compton rapper premiered the impressive self-directed visual for “The Box” and there are several boxes scattered implanted in the clip, making the theme cohesive throughout the video.
“The Box” is the chart-topping song featured on Ricch’s debut studio album Please Excuse Me for Being Antisocial, and has held the top spot on the Billboard charts for over five consecutive weeks.
In the video, Ricch is seeing scaling buildings, winning car races, lounging in the pool, slam-dunking basketballs and more. It concludes with him in a box factor and ultimately on display in a museum.
Ricch has made major plays this year with his win for Best Rap Performance at the 2020 Grammys for “Racks in the Middle with the late Nipsey Hussle. The Young emcee is currently on the second leg of his first headlining tour with shows coming up in Miami, Washington, D.C., and London.
Please Excuse Me for Being Antisocial released Dec. 6. You can stream Please Excuse Me For Being Antisocial below via Spotify and grab it on iTunes.
“Heathers”and “Jawbreaker” vibes ooze from The Naked and Famous new video
The Naked and Famous are giving off a dark comedy vibe (think Heathers and Jawbreaker) in a major way with their new music video for their latest song “Bury Us”.
Alisa Xayalith accidentally murders her boyfriend, leading herself to enlist bandmate Thom Powers to help cover up the evidence. Additional chaos ensues all amidst bright colors, perfectly matching the shimmering synth sound of the track.
“Bury Us” is a track off of the duo’s forthcoming album ‘Recover’ which is a full-throttle dosage of the 2010s-era synth pop sound they helped define (remember “Young Blood”?!) mixed with a powerful sentiment of survival, and the very human process of self-preservation — of saving, choosing and celebrating oneself in a world constantly trying to put us down.
See video below:
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