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‘LEONA’ Review AJFF: A Jewish girl defies her family’s rules of attraction

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In an era where women are fiercely denouncing gender norms, “LEONA” is a feminist’s cinematic dream. The film examines the evolution of a young woman’s self-discovery amidst her family’s traditional Jewish beliefs on love.

In Spanish director Isaac Cherem’s “Leona,” the brilliant Naian González Norvind plays Ariela, a young Jewish woman from Mexico City who finds herself torn between her strict family’s beliefs and loving a non-Jewish man, Ivan (Christian Vazquez). For Ivan, relationships have no bounds in terms of race and background. For her, however, her family’s opposing views on intermarriage quickly throw a wrench in the relationship.

The narrative harboring over González’s character is identifiable for many women trying to figuring who they are in their mid-twenties. Throughout the film, Ariela finds herself struggling to make life-altering choices regarding her career and love life at the expense of her family’s expedited demands.

A street artist is no profession for a Jewish woman in the eyes of her community and marrying or dating a non-Jew is simply an abomination but to Ariela that was her life and what kept her going. Scene after scene, the 25-year-old rebelled against what was expected of her. And while life may have seemed to be dismantling, her confidence as a woman was strangely falling into place.

Ultimately her non-Jewish boyfriend called it quits after she refused to introduce him to her racist family as if she had the option. As for the tall , Jewish specimen her cousins forced on her after the fact she made the decision to leave him also.

The film does end with a fairytale ending, just not what you’d expect. Let’s just say Ariela wins in the end. We won’t give too many spoilers away but it’s definitely a must-watch.

The review serves as part of the Atlanta Jewish Film Festival. For more information, click here.

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Actor Shannon Wallace breaks stereotypes by vowing to never play the role of a thug or gangster

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BET

Shannon Wallace is unapologetically carving a lane for himself in Hollywood. While a large percentage of actors settle for any role that’s offered to them, even at the expense of abandoning their values and beliefs, Wallace sits on integrity’s side of the fence.

For the budding talent, having grown up in a crime-infested neighborhood of Long Island, New York, where he lost his younger brother to senseless gun violence, Wallace made a commitment to his late sibling to never portray violent roles much like the criminals who viciously took his life.

Wallace currently stars in the BET original series “American Soul” as Private Nate Barker and took some time out of his schedule to chat with NDLYSS about season 1. He also shares how Larenz Tate, Kelly Price, Michael Ealy and more have played a huge role in the humble beginnings of his acting career.

Check out the interview below.

As a fresh face to the world of acting at what point did you realize you wanted to pursue this as a professional career?

I kind of just fell into it, I think. Right after college, I moved to Las Vegas [and] got a taste of what it’s like being on the other side and got addicted to it. I was living with a friend of mine who’s a boxer (Shane Mosley). Being in his circle piqued my interest and hanging out with one of his best friend’s (Larenz Tate) for a summer changed everything. I figured if [Larenz] could do it then I could do it, too. I went back home to New York and laid out the plan and followed it.

What advice did you take away from Larenz after spending a summer with him?

He told me to record myself as much as I can. The easiest way to learn yourself on camera is to watch yourself on camera. That’s the one that sticks with me the most.

Courtesy of Shannon Wallace

Mentorship is critical in any field, have you had anyone in the business help guide you along the way or watched any actors techniques from a distance as a way to perfect your craft?

Six months ago, I didn’t have anyone; I was alone in this. I’ve followed Michael Ealy’s path and the way he went about things and the choices that he’s made –– I wanted to emulate that. I found a mentor –– Charmin Lee (actress out of Atlanta). She is more of a friend but takes on the mentor role. She’s been in the business for 30 years. Her approach and mindset have definitely helped me.

You’ve previously experienced a tragic loss in your family due to gun violence and made a vow to not play certain roles, how has your decision been received by casting directors?

“Very early on, I told myself that I wouldn’t play a thug or a gangster.”

I didn’t grow up in the best neighborhood. I lost my brother to gun violence and that cemented it for me. I’ve had to turn down opportunities. I’m kind of strict about what I’ll do and what I won’t do. I’m the artist and its kind of up to me.

The roles you’re opting out of playing have prominence in the Black community. Many actors of color start out the early stages of their careers and sometimes veteran years taking on those stereotypical roles, do you feel those narratives do more harm to the community even though some will argue they are portraying truth?

It’s a real thing! I see enough of it on the news but some people do need to see it because not everyone grows up in it. It is telling a story but it’s not my story, it’s too close to home for me.

“In the end, you have a choice and I think people often times forget that.”

L: Kelly Price, R: Shannon Wallace (BET)

Let’s talk about your role in “American Soul” as Private Nate Barker.

I’m a loner by choice and Nate is a loner because he has to be. He didn’t have too much of a backstory when he was given to me so I just filled in the blanks myself. He lost his father so he doesn’t have a family to come back to after serving. Nate is dealing with a lot and is a very emotional person dealing with the traumas of war.

How was your experience working alongside Kelly Price?

Kelly is refreshing! It amazes me that she has this 20-year career in entertainment but she’s brand new to acting and stripped of everything else. She’s just eager and hungry to learn which was amazing to see.

Courtesy of Shannon Wallace

When doing research for the role, what did you discover about the Soul Train era that you didn’t’ know before?

For me, I didn’t really have to dip into Soul Train at all which actually disappointed me a little bit. Regarding the ’70s, I watched “Dead Presidents” with Larenz where he played a soldier coming back from the war. I just wanted to get the feel and look of it so I could play the role as real as I could.

“American Soul” is culturally enriching by its exploration of such a significant time in African American history. What do you think of the show’s timing, considering all that’s happening now?

There’s a storyline in the show that follows the Crips, touching on police brutality and civil rights. It shocked me on how relevant it is today. We’re telling this story in 2019 and it fits in seamlessly.

“American Soul” shows how necessary organizations like the Panthers and the Crips were during that time.”

What advice would you give to upcoming actors with no experience?

Be specific. Whatever your motivations are whether it be money, fame, or the work –– be intentional. I’ve found that saying no in my case has done more good than bad. I am very specific with what I audition for and what I choose to do and it has worked for me.

Check out Shannon Wallace on “American Soul” on Tuesdays @9 p.m. ET on BET.

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Cardi B to make film debut in Jennifer Lopez’s new movie on ex-strippers

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It was only a matter of time before Hollywood embraced Cardi B, and, of course, with her colorful personality, the big screen couldn’t wait for her any longer.

The Bronx rapper has been tapped by Jennifer Lopez to make her acting debut in J-Lo’s new film, “Hustlers.” The movie follows a group of former strippers who finesse their way into the pockets of rich Wall Street tycoons.

The narrative was adapted from a New York magazine article titled “The Hustlers at Scores” penned by Jessica Pressler. Cardi will be in good company as “Crazy Rich Asians” star Constance Wu, Lili Reinhart of “Riverdale” fame, Julia Stiles, and Keke Palmer have been added to the cast.

Lorene Scafari (“The Meddler”) will serve as writer and director for the Lopez-produced film –– distributed by STXfilms.

“I’m thrilled to have the opportunity to work with this dynamic group of women,” Scafaria said in a statement to Deadline on Tuesday. “We’re grateful to have assembled such a powerhouse cast and can’t wait to start filming at the end of the week.”

The film will reportedly begin production later this month in NYC.

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Out with the old: What’s leaving Netflix in April

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“Silver Linings Playbook,” with Bradley Cooper, Jennifer Lawrence and Chris Tucker (JoJo Whilden / Weinstein Co.)

All good things must come to an end, even if you’re not prepared to bid adieu. In typical Netflix fashion, the streaming giant puts an expiration date on classic sitcoms and new age originals. Honestly, some of the content needs to get the boot but there’s a few we wish would remain on the network a little while longer –– either way, dozens of series are leaving come April and there is nothing you can do about it –– not even a well-orchestrated protest at their headquarters. Sorry.

Before the anticipated arrivals of the new season of Chilling Adventures of Sabrina and throwback movie, Sisterhood of the Traveling Pants, we’ve listed the all of the departures on the Spring 2019 chopping block.

Leaving 4/1/19

American Pie

Billy Madison

Blue Mountain State: Seasons 1-3

Casino Royale

Diamonds Are Forever

Die Another Day

Don’t Be a Menace to South Central While Drinking Your Juice in the Hood

Goldfinger

Happy Feet

Happy Gilmore

Heat

I Love You, Man

L.A. Confidential

Live and Let Die

Luther: Series 1-4

Octopussy

Pokémon: XY: Seasons 1-2

Seven

Sex and the City: The Movie

The Living Daylights

The Man with the Golden Gun

The Spy Who Loved Me

The World Is Not Enough

Wallander: Series 1-4

You Only Live Twice

Leaving 4/4/19

Raw

Leaving 4/7/19

Star Wars: The Clone Wars

Star Wars: The Clone Wars: Seasons 1-5

Star Wars: The Clone Wars: The Lost Missions

Leaving 4/13/19

Video Game High School: Seasons 1-3

Leaving 4/18/19

Silver Linings Playbook

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