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Brightness’ New Music Video ‘Dallas’ will make your Soul Cry

Credit: Josh Goleman

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Alex Knight who launched his career under the moniker Brightness dropped a new tracked, dubbed “Dallas” via I OH U. The mellow song was recorded in upstate New York with producer Sam Griffin Owens (Cass McCombs, Chris Cohen, Sam Evian), the song is – per Knight’s description – “about being spiritually hungry…the volatility and fragility of being in that state.” A heady offering equipped with slanting melody, baritone guitars, and erratic squalls that dunk you in cloudy space for the bulk of its duration, then slowly lifts you out in its final phrases to the sound of rapturous falsetto and luminous French horn.

“I wrote ‘Dallas’ when I was living alone in my brother’s garage. It’s probably hard to tell, but I was listening to a lot of Springsteen at the time, he said. I was inspired especially by his ‘Darkness On The Edge Of Town’ record…the themes etc. I’d pretty much razed my life to the ground, and was intent on looking upwards…looking outwards.”

Knight affirms “the location and pairing (with Owens) couldn’t have been more fitting.” The song was recorded in Spillway Sound, a freshly opened studio nestled in the Catskills, a spread of nature known to stir wonder in those who’ve beheld it, from the addled attendees of Woodstock Festival to 19th-century transcendentalist, Ralph Waldo Emerson.

The accompanying visual for “Dallas” is similarly gripping. Directed by Charlotte Evans, the video finds Knight in a state of insomnia-induced disarray, the singer slowly spiraling out in his unkempt bedroom as he becomes increasingly mesmerized by a preacher on TV. The song is the first taste of new music from a forthcoming album following his critically-acclaimed 2017 debut, Teething, and marks a darker shift in sound characterized by deeper contour, contrast, and confidence.

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La Doña releases debut EP ‘Algo Nuevo’

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La Doña by Thalia Gochez

Latina artist La Doña has officially released her debut Algo Nuevo EP via Human Re-Sources. Produced heavily by Doña herself, the EP includes previously-released singles “Quién Me La Paga” (“Whose Going To Pay For It?” in English), an infectious cumbia-led track that denounces life’s ever-increasing expenses, and the self-coined “femmeton” anthem “Le Lo Lai,” which reverts the machismo paradigm so prevalent in reggaeton and hip-hop.

Speaking on the EP, La Doña says: “Algo nuevo is a gift of something new; it is a statement about the versatility of musical forms and diasporic rhythms; it is a marriage of the traditional with the contemporary; it is an offering and a statement to la raza, the boss girls, las malas, the non-binary and queer homies, ‘I see you, I am you, and I made this for you.'” 

The EP is a fruitful and masterful collage of La Doña’s world. The artist composes songs influenced heavily by Bay Area hyphy styles, lowrider culture, Mission muralismo, and musica de la (U.S./Mexico) frontera, while exploring radical brown femininity alongside love and pain.

Algo Nuevo also arrives alongside La Doña’s release show at The Chapel in San Francisco tonight where she’ll be joined by Sazon Libre, Chulita Vinyl Club, and Mariachi Juvenil La Misión.

After touring North America in support of Cuco, opening for legendary Mexican rock group Café Tacvba, and being named one of YouTube Music’s Foundry artists with past alumni including Rosalía, Dua Lipa, Chloe X Halle, and Gunna, La Doña is entering 2020 in full force. 

Listen to the Algo Nuevo EP, here

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Roddy Ricch’s Video Release for ‘The Box’ made the #1 Song in the Country even Hotter

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Roddy Ricch has officially dropped the highly anticipated music video for “The Box” on Friday.

The Compton rapper premiered the impressive self-directed visual for “The Box” and there are several boxes scattered implanted in the clip, making the theme cohesive throughout the video.

“The Box” is the chart-topping song featured on Ricch’s debut studio album Please Excuse Me for Being Antisocial, and has held the top spot on the Billboard charts for over five consecutive weeks.

In the video, Ricch is seeing scaling buildings, winning car races, lounging in the pool, slam-dunking basketballs and more. It concludes with him in a box factor and ultimately on display in a museum.

Ricch has made major plays this year with his win for Best Rap Performance at the 2020 Grammys for “Racks in the Middle with the late Nipsey Hussle. The Young emcee is currently on the second leg of his first headlining tour with shows coming up in Miami, Washington, D.C., and London.

Please Excuse Me for Being Antisocial released Dec. 6. You can stream Please Excuse Me For Being Antisocial below via Spotify and grab it on iTunes.

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“Heathers”and “Jawbreaker” vibes ooze from The Naked and Famous new video

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The Naked and Famous are giving off a dark comedy vibe (think Heathers and Jawbreaker) in a major way with their new music video for their latest song “Bury Us”.


Alisa Xayalith accidentally murders her boyfriend, leading herself to enlist bandmate Thom Powers to help cover up the evidence. Additional chaos ensues all amidst bright colors, perfectly matching the shimmering synth sound of the track.

“Bury Us” is a track off of the duo’s forthcoming album ‘Recover’ which is a full-throttle dosage of the 2010s-era synth pop sound they helped define (remember “Young Blood”?!) mixed with a powerful sentiment of survival, and the very human process of self-preservation — of saving, choosing and celebrating oneself in a world constantly trying to put us down.

See video below:

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