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Hollywood has a new love story, starring Tessa Thompson!

Tessa Thompson stars opposite Nnamdi Asomugha in writer-director Eugene Ashe‘s romantic Jazz Era film Sylvie’s Love, which made it’s World Premiere at the Sundance Film Festival on January 27, 2020.

Set in ’50s and ’60s New York City, the story follows aspiring television producer Sylvie (Thompson) as she meets aspiring saxophonist Robert (Asomugha) when he takes a job at her father’s record store in Harlem. After a summer romance that comes to an end, the two fatefully reconnect several years later and find that their feelings for each other have never disappeared.

“Sylvie’s Love” does not yet have U.S. distribution.

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Anne Hathaway on new Role in Netflix Original ‘The Last Thing He Wanted’

Academy award-winning actress Anne Hathaway joined director Dee Rees and co-stars Edi Gathegi, Rosie Perez, and Willem Dafoe for the red carpet premiere of “The Last Thing He Wanted” at the 2020 Sundance Film Festival.

Adapted from the Joan Didion novel of the same title, the film is set against the nebulous milieu of the Iran-Contra scandal. Veteran D.C. journalist Elena McMahon played by Hathaway abandons the 1984 campaign trail out of a misguided sense of duty to her father.

“The Last Thing He Wanted” will debut on February 21 via Netflix

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The Cast of Justin Simien’s ‘Bad Hair’ attend World Premiere at Sundance 2020

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Last night Justin Simien’s Sundance opener “Bad Hair” premiered at The Ray Theatre in Park City, Utah. Just hours before the big debut, the “Dear White People,” director joined his cast on the press line to discuss the anticipated phycological horror film.

Those in attendance included cast members: Ashley Blaine Featherson, Daheli Hall, Elle Lorraine, Jay Pharoah, James Van Der Beek, Kelly Rowland, Lena Waithe, Michelle Hurd, Robin Thede, and Yaani King Mondschein,

Executive producers Oren Moverman, Julia Lebedev, and Eddie Vaisman made appearances as well.

Synopsis: When an ambitious young woman is pressured into getting a weave to succeed in 1989’s image-obsessed world of music television, her career flourishes though it comes at a cost much greater than money.

See highlights below:

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